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Regando o passado — PRISMA x Jardins Abertos


In “Watering The Past”, the collaborative crossover between Prisma and Jardins Abertos opens a window into the enchanting history of a modest green patio in the old centre of Lisbon. Years and years of history are told through stories, photographs and nostalgic memorabilia, including vintage packets of seeds. This is a history shared by ex-tenants of the patio: Jorge, Paula, and a whole host of peculiar personalities who contributed to the life of this space.

An exhibition that connects the dots between the lives of the patio’s inhabitants, that preserves the past through shared memory, and that promotes a positive and inclusive sense of community identity.

*** Vernissage 3rd of September – 5 pm **

• • • inTERacTIVE ArT • • •

EVERY DAY – An interactive art piece which will happen throughout the two weeks of “watering the past”. Visitors are welcome and encouraged to bring flowers, leaves or plant parts to add to an ongoing canvas. A collaborative art piece will be created.

• • • Plant Adoption • • •

SATURDAY & SUNDAY – In the summer edition of Jardins Abertos, Prisma opens the space and invites all the visitors to donate a plant and thus contribute to the construction of this new green space in the city!

• • • Natural Sound Jam Session • • •

THURSDAY – An open invitation from masya,, to a jam session with a natural sounds theme. A sonic landscape collaboration between the exhibition and Prisma’s visitors. An experience where everyone are welcome to participate.

• • • multiVERSES 01 • • •

FRIDAY – Someone asked him about the reason for staying. Jay suspended a small fireball in his hand. It seemed a bit like unbreakable liquid azote. Jay told us that many of us were Starseed, we were in this place to help others getting to the higher levels of the multiverse dimensional system. He said that this was his stop. This was how his travel was planned since the beginning. The other travelers would go to their own dimensions to help all the narratives peak their clímaxes.

• • • Schedule • • •

03.09. … 18:00 – 22:00 h … Vernissage feat. Vasco Leitão *

04.09. … 18:00 – 22:00 h … Exhibition + PLANT ADOPTION!

05.09. … 18:00 – 22:00 h … Exhibition + PLANT ADOPTION!

06.09. … 17:00 – 20:00 h … Exhibition

07.09. …. 17:00 – 20:00 h … Exhibition*

08.09. … 17:00 – 20:00 h … Exhibition*

09.09. … 18:00 – 22:00 h … Exhibition feat. Jam Session with masya,,*

10.09. …. 18:00 – 22:00 h … Exhibition feat. multiVERSES 01*

11.09. ….. 18:00 – 22:00 h … Exhibition + PLANT ADOPTION!

12 .09. … 18:00 – 22:00 h … Exhibition + PLANT ADOPTION!

06.09…… 17:00 – 20:00 h … Exhibition

• • • Artists • • •

SARA TRISTAO

Sara Tristão, 1992, was born and raised in Madeira Island and since 2010 I live and work in Lisbon. I studied Painting at the Faculty of Fine Arts in Lisbon where I finished my Masters in 2017. My work focuses on the dialogue between objects, paintings or drawings resulting in a world with a language of its own. I collect and collect objects, build them or I represent them through drawing. Sometimes the dialogues that come up are short stories or a simple and subtle action related to personal, political and social concerns. Some of the objects have an ephemeral dimension due to their fragility just like a living being. Objects are constantly endowed with personifications such as the “fingerprints” that they are able to record or the order I return them as if lived in communities. I work with several materials and supports simultaneously many times to complete or highlight a particular idea that you are deconstructing. Most I’m recently exploring raw materials and their limits with a game of shapes. Organic and color and unexpectedly found a fox.

JONATHAN MARKISH

Jonathan (b.84), a veteran of visual storytelling and a representational painter explores the boundaries of human cognition with works shown in three continents.

MARGARIDA NEVES

​​Born in Lisbon, Portugal, in 1967. Started getting interested in visual art from an early age, in particular by photography, as amateur and self-taught. In 1990 graduated in Civil Engineering by Lisbon Technical University (IST). Since then, has been working as a Project Manager for Building Structures. In 2018 finished the Professional Course in Photography at APAF – Portuguese Association of Photographic Art. Nowadays collaborates with this institution in the elaboration of photographic exhibitions’ critical texts. In 2019 took part in the 10th edition of the “Photographic Narratives in Intendente” Workshop by Pauliana Valente Pimentel. The photographic project “Artes Gráficas JMA Lda.” is the result of this workshop, integrated in the collective exhibition at Casa Independente, in Lisbon, from May 29 to July 27 of that year. This year takes the Three Months Mentorship Program with Pauliana Valente Pimentel. Collaborates with Nova Companhia making documentary photography of theater plays rehearsals.

CATARINA GUERREIRO

Catarina Guerreiro was born in Cascais, Portugal, where she lives today. Her passion for the ocean and for understanding how the natural world functions led her to become a marine biogeoscientist, which allowed her to travel the world, feeding her curiosity and sense of adventure. Since 2004, she has undertaken more than ten oceanographic expeditions through the Atlantic Ocean, Mediterranean Sea, and even the Southern Ocean, where she spent nearly two months working offshore Antarctica. Catarina published her pictures for the first time in 2016, in the Dutch NRC newspaper, reporting a transatlantic international expedition that she was part of during that same year. In 2020-2021 she was part of the collective exhibit “Narrativas do Intendente” at Casa Independente, Lisbon, promoted and curated by the photographer Pauliana Valente Pimentel. Her love for photography grew side by side with her love for travelling and fueled by a need of tuning herself with the world around her. Apart from her passion for nature in general, Catarina’s favorite photography subjects are people and the colorful diversity of urban landscapes. A great sense of connection to the world is what she gets every time she goes on to explore the frenzy of busy cities, with all its diversity of people and architecture, and finding beauty in the most common things.

JARDINS ABERTOS

The festival that opens the gates of the gardens of the city of Lisbon. Summer Edition • 4/5 and 11/12 of september.

CATARINA GUERREIRO exhibition JARDINS ABERTOS jonathan markish MARGARIDA NEVES masya multiVERSES 01 Performance regando o passado sara tristao Vasco Leitão

Tetrachromacy
S/ TÍTULO Nº1 – LANÇAMENTO + EXPOSIÇÃO

Tuesday is beat day once again, team up with your Tuesday is beat day once again, team up with your favorite sound category and let’s jam!
Doce de beterraba - TErÇA 19h
Rorig Mirtos / Untitled Steel wire, copper wire, w Rorig Mirtos / Untitled
Steel wire, copper wire, wood / 
64 x 13 x 40 cm, 3872 g

O Rorig Mirtos é mórbido.

---

Rorig Mirtos is morbid. 

@rorigmirtos
photos by @ricardoalvesphoto

Damnation / Salvation - Rorig Mirtos // 20.05. - 24.05.2022
Rorig Mirtos / Untitled Steel wire, copper wire, w Rorig Mirtos / Untitled
Steel wire, copper wire, wood / 
41 x 32 x 43 cm, 2321 g

O Rorig Mirtos é mórbido.

---

Rorig Mirtos is morbid. 

@rorigmirtos
photos by @ricardoalvesphoto

Damnation / Salvation - Rorig Mirtos // 20.05. - 24.05.2022
Rorig Mirtos / Untitled Steel wire, copper wire, w Rorig Mirtos / Untitled
Steel wire, copper wire, wood / 
37 x 15 x 36 cm, 1032 g

O Rorig Mirtos é mórbido.

---

Rorig Mirtos is morbid. 

@rorigmirtos
photos by @ricardoalvesphoto

Damnation / Salvation - Rorig Mirtos // 20.05. - 24.05.2022
| ENG || Rorig Mirtos is a self taught artist whos | ENG ||
Rorig Mirtos is a self taught artist whose background formation is Humanities. He is mostly inspired by what is generally known as “dark art”. Following the themes of the genre, in 2018 he started experimenting with acrylics. However, it was only after being confronted with his mental illness, in January 2021, that he found the medium he his more comfortable with – steel wire. Paintings were replaced by sculptures but the same gloomy themes of the human condition remained: anhedonia, insignificance, fear, fragility, pain, solitude and death. The damnation of his illness was at the same time a need to create beautiful things. As more and more sculptures came about, he started to see art as path to salvation, from depression to the light, from his inner world to artworld where others could also appreciate his creations. Representing the duality of Damnation / Salvation is precisely what this debut show aims at.

* Vernissage - 20th May - 18h *

• • • Events of the week • • •
▶ FRI (20) / 18 - 23 / Vernissage Damnation / Salvation
▶ SAT (21) / 17 - 18 / Drink & Draw
▶ SEG (23) / 18 - 20 / Exhibition
▶ TER (24) / 18 - 19 / What did We see?
▶ TER (24) / 18 - 23 / Prisma Electro Jam Session & Finissage
| ENG || Rorig Mirtos is a self taught artist whos | ENG ||
Rorig Mirtos is a self taught artist whose background formation is Humanities. He is mostly inspired by what is generally known as “dark art”. Following the themes of the genre, in 2018 he started experimenting with acrylics. However, it was only after being confronted with his mental illness, in January 2021, that he found the medium he his more comfortable with – steel wire. Paintings were replaced by sculptures but the same gloomy themes of the human condition remained: anhedonia, insignificance, fear, fragility, pain, solitude and death. The damnation of his illness was at the same time a need to create beautiful things. As more and more sculptures came about, he started to see art as path to salvation, from depression to the light, from his inner world to artworld where others could also appreciate his creations. Representing the duality of Damnation / Salvation is precisely what this debut show aims at.

* Vernissage - 20th May - 18h *

• • • Events of the week • • •
▶ FRI (20) / 18 - 23 / Vernissage Damnation / Salvation
▶ SAT (21) / 17 - 18 / Drink & Draw
▶ SEG (23) / 18 - 20 / Exhibition
▶ TER (24) / 18 - 19 / What did We see?
▶ TER (24) / 18 - 23 / Prisma Electro Jam Session & Finissage
Rorig Mirtos is a self taught artist whose backgro Rorig Mirtos is a self taught artist whose background formation is Humanities. He is mostly inspired by what is generally known as “dark art”. Following the themes of the genre, in 2018 he started experimenting with acrylics. However, it was only after being confronted with his mental illness, in January 2021, that he found the medium he his more comfortable with – steel wire. Paintings were replaced by sculptures but the same gloomy themes of the human condition remained: anhedonia, insignificance, fear, fragility, pain, solitude and death. The damnation of his illness was at the same time a need to create beautiful things. As more and more sculptures came about, he started to see art as path to salvation, from depression to the light, from his inner world to artworld where others could also appreciate his creations. Representing the duality of Damnation / Salvation is precisely what this debut show aims at.

* Vernissage - 20 de Maio - 18h *

• • • Eventos desta semana • • •
▶ SEX (20) / 18 - 23 / Vernissage Damnation / Salvation
▶ SAB (21) / 18 - 22 / Drink & Draw
▶ SEG (23) / 18 - 20 / Exposição
▶ TER (24) / 18 - 19 / What did We see?
▶ TER (24) / 18 - 23 / Prisma Electro Jam Session & Finissage

@rorigmirtos,
photos by @ricardoalvesphoto
poster by Catarina Aguiar
14th - 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩 - 𝗙𝗶 14th - 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩 - 𝗙𝗶𝗹𝗺 𝗣𝘂𝗹𝗺𝗲𝗻𝘁𝗶
𝟻𝚙𝚖 - 𝟼𝚙𝚖

“The salvation of photography comes from the experiment. The experimenter has no preconceived idea about photography. . . . He dares to call “photography” all the results which can be achieved with photographic means, with camera or without.”
Laszlo Moholy-Nagy, 1947

This workshop aims to explore one of the processes that the artist used in some of her images, Soups. A soup is an experimental technique, where the exposed or uncovered roller is submerged in different reagents. Due to its sensitivity to environmental changes, it reacts in different ways, resulting in unexpected effects such as color change and other destructive effects that alter its support. The materials used can be everyday, such as salt or lemon. Each combination of reagents will be different, creating a unique and unrepeatable effect, the results are never guaranteed, they are experiments and hypotheses. It may seem counterintuitive to capture images and then immediately damage them, but the end result will pay off.

---

“A salvação da fotografia vem da experimentação. O experimentador não tem uma ideia preconcebida da fotografia. Ele atreve-se a chamar ”fotografia” a todos os resultados que possam ser obtidos por meios fotográficos, com ou sem câmara.”
Laszlo Moholy-Nagy, 1947

Este workshop pretende explorar um dos processos que a artista utilizou em algumas das suas imagens, as Sopas. Uma sopa é uma técnica experimental, onde o rolo exposto ou não, é submerso em diferentes reagentes. Devido à sensibilidade a mudanças ambientais, este reage de maneiras diferentes, resultando em efeitos inesperados, como alteração de cor e outros efeitos destrutivos que alteram o seu suporte. Os materiais utilizados podem ser do dia a dia, como sal ou limão. Cada combinação de reagentes vai ser distinta, criando um efeito único e irrepetível, os resultados nunca são garantidos, tratam-se de experimentos e hipóteses. Pode parecer contra intuitivo capturar imagens e logo de seguida danifica-las, mas o resultado final vai compensar.

@pat_afigueiredo
@poison.garden
14th - 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩 - 𝗙𝗶 14th - 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩 - 𝗙𝗶𝗹𝗺 𝗣𝘂𝗹𝗺𝗲𝗻𝘁𝗶
𝟻𝚙𝚖 - 𝟼𝚙𝚖

“The salvation of photography comes from the experiment. The experimenter has no preconceived idea about photography. . . . He dares to call “photography” all the results which can be achieved with photographic means, with camera or without.”
Laszlo Moholy-Nagy, 1947

This workshop aims to explore one of the processes that the artist used in some of her images, Soups. A soup is an experimental technique, where the exposed or uncovered roller is submerged in different reagents. Due to its sensitivity to environmental changes, it reacts in different ways, resulting in unexpected effects such as color change and other destructive effects that alter its support. The materials used can be everyday, such as salt or lemon. Each combination of reagents will be different, creating a unique and unrepeatable effect, the results are never guaranteed, they are experiments and hypotheses. It may seem counterintuitive to capture images and then immediately damage them, but the end result will pay off.

---

“A salvação da fotografia vem da experimentação. O experimentador não tem uma ideia preconcebida da fotografia. Ele atreve-se a chamar ”fotografia” a todos os resultados que possam ser obtidos por meios fotográficos, com ou sem câmara.”
Laszlo Moholy-Nagy, 1947

Este workshop pretende explorar um dos processos que a artista utilizou em algumas das suas imagens, as Sopas. Uma sopa é uma técnica experimental, onde o rolo exposto ou não, é submerso em diferentes reagentes. Devido à sensibilidade a mudanças ambientais, este reage de maneiras diferentes, resultando em efeitos inesperados, como alteração de cor e outros efeitos destrutivos que alteram o seu suporte. Os materiais utilizados podem ser do dia a dia, como sal ou limão. Cada combinação de reagentes vai ser distinta, criando um efeito único e irrepetível, os resultados nunca são garantidos, tratam-se de experimentos e hipóteses. Pode parecer contra intuitivo capturar imagens e logo de seguida danifica-las, mas o resultado final vai compensar.

@pat_afigueiredo
@poison.garden
14th - 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩 - 𝗙𝗶 14th - 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩 - 𝗙𝗶𝗹𝗺 𝗣𝘂𝗹𝗺𝗲𝗻𝘁𝗶
𝟻𝚙𝚖 - 𝟼𝚙𝚖

“A salvação da fotografia vem da experimentação. O experimentador não tem uma ideia preconcebida da fotografia. Ele atreve-se a chamar ”fotografia” a todos os resultados que possam ser obtidos por meios fotográficos, com ou sem câmara.”
Laszlo Moholy-Nagy, 1947

Este workshop pretende explorar um dos processos que a artista utilizou em algumas das suas imagens, as Sopas. Uma sopa é uma técnica experimental, onde o rolo exposto ou não, é submerso em diferentes reagentes. Devido à sensibilidade a mudanças ambientais, este reage de maneiras diferentes, resultando em efeitos inesperados, como alteração de cor e outros efeitos destrutivos que alteram o seu suporte. Os materiais utilizados podem ser do dia a dia, como sal ou limão. Cada combinação de reagentes vai ser distinta, criando um efeito único e irrepetível, os resultados nunca são garantidos, tratam-se de experimentos e hipóteses. Pode parecer contra intuitivo capturar imagens e logo de seguida danifica-las, mas o resultado final vai compensar.

--

“The salvation of photography comes from the experiment. The experimenter has no preconceived idea about photography. . . . He dares to call “photography” all the results which can be achieved with photographic means, with camera or without.”
Laszlo Moholy-Nagy, 1947

This workshop aims to explore one of the processes that the artist used in some of her images, Soups. A soup is an experimental technique, where the exposed or uncovered roller is submerged in different reagents. Due to its sensitivity to environmental changes, it reacts in different ways, resulting in unexpected effects such as color change and other destructive effects that alter its support. The materials used can be everyday, such as salt or lemon. Each combination of reagents will be different, creating a unique and unrepeatable effect, the results are never guaranteed, they are experiments and hypotheses. It may seem counterintuitive to capture images and then immediately damage them, but the end result will pay off.

@pat_afigueiredo
@poison.garden
Patrícia Figueiredo - Soup #13 soup technique Pa Patrícia Figueiredo - Soup #13
soup technique

Patrícia Figueiredo, fotógrafa e estudante de Conservação e Restauro, nasce em Novembro de 1997 em Lisboa. Licenciada em Fotografia e Cultura Visual pelo IADE- Creative University desde 2019, o seu percurso na área começa aos 16 anos quando ingressa no curso de Fotografia na Escola Artística António Arroio. A conservação e restauro aparecem na sua vida quando fez um estágio na área depois de concluir a sua licenciatura, influenciando assim a decisão de começar uma nova etapa em Conservação e Restauro na FCT NOVA, onde estuda atualmente. Já participou na 6a edição da Feira do Livro de Fotografia de Lisboa, no Arquivo Municipal de Lisboa, com um photobook do projecto “ Crystalised”. Em 2019 participou no Streaming Pictures do Deutsche Gesellschaft für Fotografie no Museu de Colónia, e em 2022 participou na exposição X’19-22 com o projecto “Tenderness”.

--

Patrícia Figueiredo, photographer and student of Conservation and Restoration, was born in November 1997 in Lisbon. Graduated in Photography and Visual Culture from IADE-Creative University since 2019, her career in the area begins at the age of 16 when she enters the Photography course at the António Arroio Art School. Conservation and restoration appear in her life when she did an internship in the area after completing her degree, thus influencing the decision to start a new stage in Conservation and Restoration at FCT NOVA, where she currently studies. She has already participated in the 6th edition of the Lisbon Photography Book Fair, at the Lisbon Municipal Archive, with a photobook of the “Crystalised” project. In 2019 he participated in the Streaming Pictures of Deutsche Gesellschaft für Fotografie at the Cologne Museum, and in 2022 he participated in the exhibition X’19-22 with the project “

@pat_afigueiredo
@poison.garden

𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎 - Patrícia Figueiredo // 12.05. - 17.05.2022
Patrícia Figueiredo - Soup #55 soup technique Pa Patrícia Figueiredo - Soup #55
soup technique

Patrícia Figueiredo, fotógrafa e estudante de Conservação e Restauro, nasce em Novembro de 1997 em Lisboa. Licenciada em Fotografia e Cultura Visual pelo IADE- Creative University desde 2019, o seu percurso na área começa aos 16 anos quando ingressa no curso de Fotografia na Escola Artística António Arroio. A conservação e restauro aparecem na sua vida quando fez um estágio na área depois de concluir a sua licenciatura, influenciando assim a decisão de começar uma nova etapa em Conservação e Restauro na FCT NOVA, onde estuda atualmente. Já participou na 6a edição da Feira do Livro de Fotografia de Lisboa, no Arquivo Municipal de Lisboa, com um photobook do projecto “ Crystalised”. Em 2019 participou no Streaming Pictures do Deutsche Gesellschaft für Fotografie no Museu de Colónia, e em 2022 participou na exposição X’19-22 com o projecto “Tenderness”.

--

Patrícia Figueiredo, photographer and student of Conservation and Restoration, was born in November 1997 in Lisbon. Graduated in Photography and Visual Culture from IADE-Creative University since 2019, her career in the area begins at the age of 16 when she enters the Photography course at the António Arroio Art School. Conservation and restoration appear in her life when she did an internship in the area after completing her degree, thus influencing the decision to start a new stage in Conservation and Restoration at FCT NOVA, where she currently studies. She has already participated in the 6th edition of the Lisbon Photography Book Fair, at the Lisbon Municipal Archive, with a photobook of the “Crystalised” project. In 2019 he participated in the Streaming Pictures of Deutsche Gesellschaft für Fotografie at the Cologne Museum, and in 2022 he participated in the exhibition X’19-22 with the project “

@pat_afigueiredo
@poison.garden

𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎 - Patrícia Figueiredo // 12.05. - 17.05.2022
Patrícia Figueiredo - Soup #24 soup technique Pa Patrícia Figueiredo - Soup #24
soup technique

Patrícia Figueiredo, fotógrafa e estudante de Conservação e Restauro, nasce em Novembro de 1997 em Lisboa. Licenciada em Fotografia e Cultura Visual pelo IADE- Creative University desde 2019, o seu percurso na área começa aos 16 anos quando ingressa no curso de Fotografia na Escola Artística António Arroio. A conservação e restauro aparecem na sua vida quando fez um estágio na área depois de concluir a sua licenciatura, influenciando assim a decisão de começar uma nova etapa em Conservação e Restauro na FCT NOVA, onde estuda atualmente. Já participou na 6a edição da Feira do Livro de Fotografia de Lisboa, no Arquivo Municipal de Lisboa, com um photobook do projecto “ Crystalised”. Em 2019 participou no Streaming Pictures do Deutsche Gesellschaft für Fotografie no Museu de Colónia, e em 2022 participou na exposição X’19-22 com o projecto “Tenderness”.

--

Patrícia Figueiredo, photographer and student of Conservation and Restoration, was born in November 1997 in Lisbon. Graduated in Photography and Visual Culture from IADE-Creative University since 2019, her career in the area begins at the age of 16 when she enters the Photography course at the António Arroio Art School. Conservation and restoration appear in her life when she did an internship in the area after completing her degree, thus influencing the decision to start a new stage in Conservation and Restoration at FCT NOVA, where she currently studies. She has already participated in the 6th edition of the Lisbon Photography Book Fair, at the Lisbon Municipal Archive, with a photobook of the “Crystalised” project. In 2019 he participated in the Streaming Pictures of Deutsche Gesellschaft für Fotografie at the Cologne Museum, and in 2022 he participated in the exhibition X’19-22 with the project “

@pat_afigueiredo
@poison.garden

𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎 - Patrícia Figueiredo // 12.05. - 17.05.2022 

 

#psychedelicart #souptechnique #colorsmelting #inspiration #beautifulflow #colourflash #lisbonartist #lisboaarte #iade #fctnova
𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎 - Patrícia Figueiredo // 12.05. - 17.05.2022

O fascínio pela fotografia analógica inicia-se a partir do primeiro contacto com a câmara escura, abrindo caminho para as inúmeras possibilidades que a fotografia lhe poderia proporcionar. A curiosidade levou à experimentação e ao explorar de novas técnicas e materiais, e é dessa forma que o Dissolutum Corpus surge.

Este é um projeto que reúne alguns dos trabalhos experimentais executados ao longo dos últimos anos, onde o desconhecido e o improvável são as palavras-chave comuns a todos esses projetos que se interligam num manto de experimentação. A busca pelo inesperado e pelos resultados imprevisíveis é o moto que leva a artista a realizá-lo, sendo que o foco não está no elemento fotografado (apesar da evidente presença do corpo em algumas imagens), mas sim na desconstrução do suporte.

---

The fascination with analogue photography begins with the first contact with the darkroom, opening the way to the countless possibilities that photography could provide. Curiosity led to experimentation and the exploration of new techniques and materials, and that's how Dissolutum Corpus came about. This is a project that brings together some of the experimental works carried out over the last few years, where the unknown and the improbable are the keywords common to all these projects that are interconnected in a cloak of experimentation.
The search for the unexpected and unpredictable results is the motive that leads the artist to make it, and the focus is not on the photographed element (despite the evident presence of the body in some images), but on the deconstruction of the support.

@pat_afigueiredo
@quanticaonline
@vtfrena
@poison.garden
@flordecers
@m.a.dam.a
𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎 - Patrícia Figueiredo // 12.05. - 17.05.2022

Patrícia Figueiredo, fotógrafa e estudante de Conservação e Restauro, nasce em Novembro de 1997 em Lisboa. Licenciada em Fotografia e Cultura Visual pelo IADE- Creative University desde 2019, o seu percurso na área começa aos 16 anos quando ingressa no curso de Fotografia na Escola Artística António Arroio. A conservação e restauro aparecem na sua vida quando fez um estágio na área depois de concluir a sua licenciatura, influenciando assim a decisão de começar uma nova etapa em Conservação e Restauro na FCT NOVA, onde estuda atualmente. Já participou na 6a edição da Feira do Livro de Fotografia de Lisboa, no Arquivo Municipal de Lisboa, com um photobook do projecto “ Crystalised”. Em 2019 participou no Streaming Pictures do Deutsche Gesellschaft für Fotografie no Museu de Colónia, e em 2022 participou na exposição X’19-22 com o projecto “Tenderness”.

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Patrícia Figueiredo, photographer and student of Conservation and Restoration, was born in November 1997 in Lisbon. Graduated in Photography and Visual Culture from IADE-Creative University since 2019, her career in the area begins at the age of 16 when she enters the Photography course at the António Arroio Art School. Conservation and restoration appear in her life when she did an internship in the area after completing her degree, thus influencing the decision to start a new stage in Conservation and Restoration at FCT NOVA, where she currently studies. She has already participated in the 6th edition of the Lisbon Photography Book Fair, at the Lisbon Municipal Archive, with a photobook of the “Crystalised” project. In 2019 he participated in the Streaming Pictures of Deutsche Gesellschaft für Fotografie at the Cologne Museum, and in 2022 he participated in the exhibition X’19-22 with the project “

@pat_afigueiredo
@poison.garden
𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎 - Patrícia Figueiredo // 12.05. - 17.05.2022

• • • Eventos desta semana • • •

▶ QUA (12) / 18 - 22 / Soft Opening 𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎

▶ SEX (13) / 18 - 22 / Vernissage & Raven (DJ Set)

▶ SAB (14) / 17 - 18 / Workshop Film pulmenti

▶ DOM (15) / 10 - 18 / Workshop de gravura: vernizes alternativos para água-forte

▶ SEG (16) / 18 - 20 / Exposição

▶ TER (26) / 18 - 23 / Prisma Jam Session & Finissage
▶ TER (26) / 18 - 19 / What did We see?

@pat_afigueiredo
@quanticaonline
@vtfrena
@poison.garden
@flordecers
@m.a.dam.a

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• • • Events of the week • • •

▶ THU (12) / 18 - 22 / Soft Opening 𝘿𝙄𝙎𝙎𝙊𝙇𝙐𝙏𝙐𝙈 𝘾𝙊𝙍𝙋𝙐𝙎

▶ FRI (13) / 18 - 22 / Vernissage & Raven (DJ Set)

▶ SAT (14) / 17 - 18 / Workshop Film pulmenti

▶ DOM (15) / 10 - 18 / Printmaking workshop: alternative grounds for metal etching

▶ SEG (16) / 18 - 20 / Exhibition

▶ TER (26) / 18 - 23 / Prisma Jam Session & Finissage
▶ TER (26) / 18 - 19 / What did We see?
Join today’s flash tattoo event to absorb @trafu Join today’s flash tattoo event to absorb @trafulhice ‘s immersive electro rhythm and distinct digital tunes! gain early access to flash tattoos as they get permanently injected into the furthest reaches of the epidermis by @sadtristao @lucaspintoamor @loudpokes and @mariomarini.ii paper prints of all time prisma favorites @ramen_yung @paulo_porta and @ena.ena.ana @cagari.cagaro and others! Crafts will be on display, various cutlery, emphasis, spoon, by @kennydeoliveiramendes 
A free introductory macrame workshop for weavers and ravers alike, and a special dj set by @lua_bagorro. Can you afford to miss this?! Free entry for membership holders so get that card at the door, peace and love!
Join today’s flash tattoo event to enjoy @lua_ba Join today’s flash tattoo event to enjoy @lua_bagorro rockabilly antics and housevibez mix! gain early access to flash tattoos as they get permanently injected into the furthest reaches of the epidermis by @sadtristao @lucaspintoamor @loudpokes and @mariomarini.ii paper prints of all time prisma favorites @ramen_yung @paulo_porta and @ena.ena.ana @cagari.cagaro and others! Crafts will be on display, various cutlery, emphasis, spoon, by @kennydeoliveiramendes 
A free introductory macrame workshop for weavers and ravers alike, and a special performance by @trafulhice. Can you afford to miss this?! Free entry for membership holders so get that card at the door, peace and love!
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